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			<title>Left Field Cinema Forum - Blue Velvet &amp;amp; David Lynch</title>
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		<title>Blue Velvet &amp; David Lynch</title>
		<link>http://www.leftfieldcinema.com/forum/comments.php?DiscussionID=743&amp;Focus=21643#Comment_21643</link>
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		<pubDate>Wed, 29 Jul 2009 10:11:18 -0700</pubDate>
		<author>DanceDanceDance</author>
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			<![CDATA[<p>What are people's opinion of both the film Blue Velvet &amp;&nbsp;David Lynch's career as a whole?</p>]]>
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		<title>Blue Velvet &amp; David Lynch</title>
		<link>http://www.leftfieldcinema.com/forum/comments.php?DiscussionID=743&amp;Focus=21654#Comment_21654</link>
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		<pubDate>Wed, 29 Jul 2009 12:34:41 -0700</pubDate>
		<author>sleepysamco</author>
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			<![CDATA[<p>I think he is a genius. He has made some of my favourite films. Eraserhead is the scariest film I've ever seen, Blue Velvet is obviously amazing and Mulholland Drive is mind-bendingly spectacular.</p>]]>
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		<title>Blue Velvet &amp; David Lynch</title>
		<link>http://www.leftfieldcinema.com/forum/comments.php?DiscussionID=743&amp;Focus=21662#Comment_21662</link>
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		<pubDate>Wed, 29 Jul 2009 15:06:26 -0700</pubDate>
		<author>DanceDanceDance</author>
		<description>
			<![CDATA[<p>My opinions on David Lynch:</p>
<p><strong><em>Eraserhead - </em></strong>One of the creepiest and scariest films ever made, chockful of great performances and great dialogue. I read somewhere that it was described as the best American debut since Orson Welles. It is certainly a startling piece of work. <strong><em>8/10</em></strong></p>
<p><strong><em>The Elephant Man - </em></strong>A beautifully made movie, with some amazing cinematograhpy. Black &amp; White looks incredible in this film. A very moving motion picture with a great heart, this is the side of Lynch that is not often discussed, the emotion which he invests in some of his best films. <strong><em>9/10</em></strong></p>
<p><strong><em>Dune - </em></strong>A mess of a movie, would have loved to have seen his Return of the Jedi, but unfortunately we got his Dune instead. I find the film practically unwatchable, and I am not sure if I have ever sat through the whole film in one sitting. <strong><em>3/10</em></strong></p>
<p><strong><em>Blue Velvet - </em></strong>His first masterpiece in my opinion. This film is perfection. Dean Stockwell&nbsp;miming to&nbsp;In Dreams by Roy Orbison is sheer brilliance. <strong><em>10/10</em></strong></p>
<p><strong><em>Wild at Heart - </em></strong>I have a great affection for this crazy road movie, for one it has the career best performance by Nic Cage. His Elvis singing is hilarious. Explicit sex, violence and Willem Dafoe make this film a one of a kind. <strong><em>8/10</em></strong></p>
<p><strong><em>Twin Peaks - </em></strong>Season One is amazing, Season Two is much less amazing. <strong><em>7/10 (Season One 9/10, Season Two 5/10)</em></strong></p>
<p><strong><em>Lost Highway - </em></strong>His most deliberately obscure movie, well till INLAND EMPIRE, and not a film I love. <strong><em>4</em></strong><strong><em>/10</em></strong></p>
<p><strong><em>Straight Story - </em></strong>What I consider to be David Lynch's second masterpiece, and his most moving films. The photography is beautiful and the score could well be my favourite score to listen to. It is an incredible piece of Americana. The lead performance is one of the best caught on film. <strong><em>10/10</em></strong></p>
<p><strong><em>Mulholland Dr. - </em></strong>His third Masterpiece in my opinion, this film has been discussed to death by everyone, yet the film remains incredibly fresh. <strong><em>10/10</em></strong></p>
<p><strong><em>INLAND EMPIRE - </em></strong>I have seen this film three times now and after every viewing I have increased my score for the film. It is one of the most nightmarish films I have ever seen, and it has the divisive use of Digital Video and a cyclical storyline which defies any logic. His most singular work since Eraserhead. <strong><em>7.5/10</em></strong></p>
<p>&nbsp;</p>]]>
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		<title>Blue Velvet &amp; David Lynch</title>
		<link>http://www.leftfieldcinema.com/forum/comments.php?DiscussionID=743&amp;Focus=21669#Comment_21669</link>
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		<pubDate>Wed, 29 Jul 2009 15:46:04 -0700</pubDate>
		<author>Fran</author>
		<description>
			<![CDATA[<p>I have never seen a David Lynch film in its entirety, I saw half of the Lost Highway and the middle of Mullholland Drive both were in a time where my tastes were more mainstream. I own Mullholland Drive, Blue Velvet, Inland Empire, Elephant Man and Have Straight Story recorded from TV. </p>]]>
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		<title>Blue Velvet &amp; David Lynch</title>
		<link>http://www.leftfieldcinema.com/forum/comments.php?DiscussionID=743&amp;Focus=21672#Comment_21672</link>
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		<pubDate>Wed, 29 Jul 2009 15:49:39 -0700</pubDate>
		<author>DanceDanceDance</author>
		<description>
			<![CDATA[<blockquote><cite>Posted by: Fran</cite>
<p>I have never seen a David Lynch film in its entirety, I saw half of the Lost Highway and the middle of Mullholland Drive both were in a time where my tastes were more mainstream. I own Mullholland Drive, Blue Velvet, Inland Empire, Elephant Man and Have Straight Story recorded from TV.</p>
</blockquote>
<p>&nbsp;</p>
<p>You have one of the great American backcatalogues to investigate for the first time, I am rather jealous!</p>]]>
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		<title>Blue Velvet &amp; David Lynch</title>
		<link>http://www.leftfieldcinema.com/forum/comments.php?DiscussionID=743&amp;Focus=21674#Comment_21674</link>
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		<pubDate>Wed, 29 Jul 2009 15:51:02 -0700</pubDate>
		<author>Fran</author>
		<description>
			<![CDATA[<p><blockquote><cite>Posted by: DanceDanceDance</cite><blockquote><cite>Posted by: Fran</cite>
<p>I have never seen a David Lynch film in its entirety, I saw half of the Lost Highway and the middle of Mullholland Drive both were in a time where my tastes were more mainstream. I own Mullholland Drive, Blue Velvet, Inland Empire, Elephant Man and Have Straight Story recorded from TV.</p>
</blockquote>
<p>&nbsp;</p>
<p>You have one of the great American backcatalogues to investigate for the first time, I am rather jealous!</p>
</blockquote>
<p>&nbsp;</p>
I may start with Mullholland because I think it'd be silly not to have seen it before the end of the decade.</p>]]>
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		<title>Blue Velvet &amp; David Lynch</title>
		<link>http://www.leftfieldcinema.com/forum/comments.php?DiscussionID=743&amp;Focus=21676#Comment_21676</link>
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		<pubDate>Wed, 29 Jul 2009 15:52:20 -0700</pubDate>
		<author>DanceDanceDance</author>
		<description>
			<![CDATA[<p>&nbsp;</p>
<blockquote><cite>Posted by: Fran</cite>
<p>&nbsp;</p>
<blockquote><cite>Posted by: DanceDanceDance</cite><blockquote><cite>Posted by: Fran</cite>
<p>I have never seen a David Lynch film in its entirety, I saw half of the Lost Highway and the middle of Mullholland Drive both were in a time where my tastes were more mainstream. I own Mullholland Drive, Blue Velvet, Inland Empire, Elephant Man and Have Straight Story recorded from TV.</p>
</blockquote>
<p>&nbsp;</p>
<p>You have one of the great American backcatalogues to investigate for the first time, I am rather jealous!</p>
</blockquote>
<p>&nbsp;</p>
I may start with Mullholland because I think it'd be silly not to have seen it before the end of the decade.
<p>&nbsp;</p>
</blockquote>
<p>&nbsp;</p>
<p>I expect that you will be proclaiming it a masterpiece after watching it, the zeal of the converted will great to witness <img alt="" src="http://www.leftfieldcinema.com/forum/js/fckeditor/editor/images/smiley/msn/teeth_smile.gif" /></p>]]>
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		<title>Blue Velvet &amp; David Lynch</title>
		<link>http://www.leftfieldcinema.com/forum/comments.php?DiscussionID=743&amp;Focus=21677#Comment_21677</link>
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		<pubDate>Wed, 29 Jul 2009 15:52:25 -0700</pubDate>
		<author>CoheedandCambria</author>
		<description>
			<![CDATA[<p>I've watched very little of Lynch, but I am fascinated by his work and want to see more. From what I've seen...</p>
<p><strong>Eraserhead </strong>- Maybe one to rewatch but definately an impactful debut. <strong>7/10</strong></p>
<p><strong>Wild At Heart </strong>- Too weird in a kooky, surface level&nbsp; way for me, though Willen Defoe stole the film as someone so sleezy you felt your skin crawl just looking at him. <strong>6/10</strong></p>
<p><strong>INLAND EMPIRE </strong>- After a second viewing I actually hold this up as a near masterpiece for Lynch, especially in terms of production design. I've even made my own interpretation of what takes place in the 'narrative'. <strong>9/10</strong></p>]]>
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		<title>Blue Velvet &amp; David Lynch</title>
		<link>http://www.leftfieldcinema.com/forum/comments.php?DiscussionID=743&amp;Focus=21679#Comment_21679</link>
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		<pubDate>Wed, 29 Jul 2009 15:55:13 -0700</pubDate>
		<author>DanceDanceDance</author>
		<description>
			<![CDATA[<p><strong><em>Blue Velvet </em></strong>is a great place to start for anyone who has not seen much Lynch (or no Lynch at all). It is both his most mainstream work, and one of his most creepy.</p>]]>
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		<title>Blue Velvet &amp; David Lynch</title>
		<link>http://www.leftfieldcinema.com/forum/comments.php?DiscussionID=743&amp;Focus=21685#Comment_21685</link>
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		<pubDate>Wed, 29 Jul 2009 16:17:39 -0700</pubDate>
		<author>Fran</author>
		<description>
			<![CDATA[<p><blockquote><cite>Posted by: DanceDanceDance</cite>
<p>&nbsp;</p>
<blockquote><cite>Posted by: Fran</cite>
<p>&nbsp;</p>
<blockquote><cite>Posted by: DanceDanceDance</cite><blockquote><cite>Posted by: Fran</cite>
<p>I have never seen a David Lynch film in its entirety, I saw half of the Lost Highway and the middle of Mullholland Drive both were in a time where my tastes were more mainstream. I own Mullholland Drive, Blue Velvet, Inland Empire, Elephant Man and Have Straight Story recorded from TV.</p>
</blockquote>
<p>&nbsp;</p>
<p>You have one of the great American backcatalogues to investigate for the first time, I am rather jealous!</p>
</blockquote>
<p>&nbsp;</p>
I may start with Mullholland because I think it'd be silly not to have seen it before the end of the decade.
<p>&nbsp;</p>
</blockquote>
<p>&nbsp;</p>
<p>I expect that you will be proclaiming it a masterpiece after watching it, the zeal of the converted will great to witness <img src="http://www.leftfieldcinema.com/forum/js/fckeditor/editor/images/smiley/msn/teeth_smile.gif" alt="" /></p>
</blockquote>
<p>&nbsp;</p>
<img src="http://www.leftfieldcinema.com/forum/js/fckeditor/editor/images/smiley/msn/teeth_smile.gif" alt="" /></p>]]>
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		<title>Blue Velvet &amp; David Lynch</title>
		<link>http://www.leftfieldcinema.com/forum/comments.php?DiscussionID=743&amp;Focus=21696#Comment_21696</link>
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		<pubDate>Wed, 29 Jul 2009 21:14:57 -0700</pubDate>
		<author>dimabbq</author>
		<description>
			<![CDATA[<p>I really like Blue Velvet and Elephant Man, both great films. But i'm afraid Inland Empire was just interminable. I also turned off Mulholland Drive as i just wasn't engaged by the first half an hour, might revisit one day. &nbsp;</p>]]>
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		<title>Blue Velvet &amp; David Lynch</title>
		<link>http://www.leftfieldcinema.com/forum/comments.php?DiscussionID=743&amp;Focus=21702#Comment_21702</link>
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		<pubDate>Thu, 30 Jul 2009 01:27:17 -0700</pubDate>
		<author>Tom</author>
		<description>
			<![CDATA[<p>I haven't actually seen <strong>Blue Velvet</strong> yet.</p>
<p><strong>Mullholland Dr.</strong> is a true masterpiece.</p>
<p><strong>Lost Highway</strong> I need to see again, though&nbsp;I remember it making no sense at all.</p>
<p><strong>Wild at Heart</strong> I also need to see again.</p>
<p><strong>INLAND&nbsp;EMPIRE</strong> has been on the &quot;to be watched&quot; shelf for a couple of years now...</p>]]>
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		<title>Blue Velvet &amp; David Lynch</title>
		<link>http://www.leftfieldcinema.com/forum/comments.php?DiscussionID=743&amp;Focus=21719#Comment_21719</link>
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		<pubDate>Thu, 30 Jul 2009 02:11:32 -0700</pubDate>
		<author>Chris</author>
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			<![CDATA[<p><strong>Dance</strong>, you left <strong>Fire Walk With Me</strong> out of you ratings, a film some consider among Lynch's best, and since you've seen everything...</p>]]>
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		<title>Blue Velvet &amp; David Lynch</title>
		<link>http://www.leftfieldcinema.com/forum/comments.php?DiscussionID=743&amp;Focus=21727#Comment_21727</link>
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		<pubDate>Thu, 30 Jul 2009 02:20:42 -0700</pubDate>
		<author>DanceDanceDance</author>
		<description>
			<![CDATA[<p>&nbsp;</p>
<blockquote><cite>Posted by: Chris</cite>
<p><strong>Dance</strong>, you left <strong>Fire Walk With Me</strong> out of you ratings, a film some consider among Lynch's best, and since you've seen everything...</p>
</blockquote>
<p>&nbsp;</p>
<p>Good point.</p>
<p><em><strong>Fire Walk With Me</strong></em>: Mark Kermode believes this to be Lynch's masterpiece. I personally think that it is good but&nbsp;it commits the fatal crime of being a bit boring. It is perhaps the most concentrated Lynch seen on screen (other than INLAND EMPIRE) It brought back the edge missing in season 2 and totally forgets about the humour. It lacks the presence of Dale Cooper. It is definitely a Lynch film, there is no consideration made for the average TV viewer fan. <strong><em>7/10</em></strong></p>
<div class="CommentBody">
<p>Perhaps what I consider to be one of the most interesting aspects of the film is how dark it is however this at the expense of the humour. Rarely has there ever been a film so bleak. It is much darker than the TV series, the sex&nbsp;is graphic and frequent which just adds to the overall sense of seediness and depression which surrounds and pervades the film. Especially the scene in the nightclub where the music drowns out the dialogue and adds greatly to the tension, it is a expert exercise in dramatic horror.</p>
<p>I always believed the opening half hour/forty five minutes was meant to highlight the ongoing evil, the cycical nature of it. How it was bigger than Laura Palmer and Dale Cooper,. Chris Issak was weak lead, however I did like how the town was the antithesis to Twin Peaks. Showing how it could have been for Cooper if the town had not been so welcoming. I see the opening of the film as character development for the town of Twin Peaks. The Bowie/Lynch scenes are very strange and have no meaning within the present cut of the film (there is a wide known rumour of Lynch's five hour cut) and cannot be defended.</p>
<p>However I truly believe the scenes following Laura Palmer are excellent, they are grippingly horrifying. Much creepier than almost all horror films made. Being haunted by spirits, hooked with narcotics and sexually used by own father is not something that could have been made in same tone as the series. The film is about the last week of Laura Palmer. It explains her sudden and cruel death. I always felt that the more humourful scenes from the TV show would have been out of place in the Movie. It drags us through a living hell, and the film definitely feels like a living hell to me.</p>
<p>This is definitely Lynch's most intense look at small town America.</p>
<p>However would have I prefered a sequel to find out what happened to Cooper? Probably yes.</p>
<p>Also, Moira Kelly is a fairly rubbish replacement for Donna.</p>
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		<title>Blue Velvet &amp; David Lynch</title>
		<link>http://www.leftfieldcinema.com/forum/comments.php?DiscussionID=743&amp;Focus=22181#Comment_22181</link>
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		<pubDate>Sat, 08 Aug 2009 05:05:45 -0700</pubDate>
		<author>Fran</author>
		<description>
			<![CDATA[<p>I just watched Mullholland drive and thought it was incredible, without doubt one of this decades finest. Naomi Watts gives one of the finest female performances I can remember. </p>
<p>Lots of thoughts jumbled around, the last hal hour or so will need to be reflected on. But a masterpiece it certainly is 10/10</p>]]>
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		<title>Blue Velvet &amp; David Lynch</title>
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		<pubDate>Sat, 08 Aug 2009 06:54:28 -0700</pubDate>
		<author>DanceDanceDance</author>
		<description>
			<![CDATA[<blockquote><cite>Posted by: Fran</cite>
<p>I just watched Mullholland drive and thought it was incredible, without doubt one of this decades finest. Naomi Watts gives one of the finest female performances I can remember.</p>
<p>Lots of thoughts jumbled around, the last hal hour or so will need to be reflected on. But a masterpiece it certainly is 10/10</p>
</blockquote>
<p>&nbsp;<img alt="" src="http://www.leftfieldcinema.com/forum/js/fckeditor/editor/images/smiley/msn/teeth_smile.gif" /></p>]]>
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		<title>Blue Velvet &amp; David Lynch</title>
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		<pubDate>Mon, 10 Aug 2009 09:19:11 -0700</pubDate>
		<author>Aquaman84</author>
		<description>
			<![CDATA[<p>I think for me, the Lynch I've seen would be rated as follows</p>
<p><strong>Mullholland Dr. 10/10 -</strong> The first Lynch I saw and I remember I watched it with a mate and we paused it half way through and said to each other &quot;I'm sure it will make sense in the end&quot;. One of the first films (if not THE&nbsp;first) that I really had to watch a second time to get my head around. Seen it a number of times now and it's fantastic.<br />
<strong>Blue Velvet 10/10</strong><br />
<strong>Straight Story 9/10 </strong>- Glad to hear you liked it Dance, everyone I've ever met has never heard of it or thought it was crap.<br />
<strong>Twin Peaks 9/10</strong> - only seen season one.<br />
<strong>The Elephant Man 9/10</strong><br />
<strong>Dune 5/10</strong><br />
<strong>Lost Highway 3/10 -</strong> wuh?!<br />
&nbsp;</p>]]>
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		<title>Blue Velvet &amp; David Lynch</title>
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		<pubDate>Wed, 27 Jan 2010 14:05:12 -0700</pubDate>
		<author>Chris</author>
		<description>
			<![CDATA[<p>I've seen the odd strange thing recently on <strong>IMDB's Starmeter</strong>. The strangest thing is that <strong>Mulholland Drive</strong> is in the top 10 films, and <strong>David Lynch, Naomi Watts,</strong><strong> Laura Harring</strong> and <strong>Scott Coffey</strong> are all in the top 10 stars.</p>
<p>The only thing I could see to explain it was that the LA&nbsp;critics named it the best film of the decade.&nbsp;I suppose that must be it, but that was 15 days ago and this is a weekly list.</p>
<p>Still, its a refreshing change from a top 10 normally dominated by <strong>Twilight</strong> and co.</p>]]>
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		<title>Blue Velvet &amp; David Lynch</title>
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		<pubDate>Sun, 28 Nov 2010 13:21:15 -0700</pubDate>
		<author>DanceDanceDance</author>
		<description>
			<![CDATA[<p><a href="http://www.guardian.co.uk/film/2010/nov/28/david-lynch-turns-pop-singer-songwriter">http://www.guardian.co.uk/film/2010/nov/28/david-lynch-turns-pop-singer-songwriter</a></p>]]>
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		<title>Blue Velvet &amp; David Lynch</title>
		<link>http://www.leftfieldcinema.com/forum/comments.php?DiscussionID=743&amp;Focus=48082#Comment_48082</link>
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		<pubDate>Fri, 19 Aug 2011 05:26:12 -0700</pubDate>
		<author>DanceDanceDance</author>
		<description>
			<![CDATA[<p><a href="http://www.guardian.co.uk/film/filmblog/2011/aug/19/has-david-lynch-retired">www.guardian.co.uk/film/filmblog/2011/aug/19/has-david-lynch-retired</a></p>]]>
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		<title>Blue Velvet &amp; David Lynch</title>
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		<pubDate>Wed, 16 Nov 2011 13:11:22 -0700</pubDate>
		<author>DanceDanceDance</author>
		<description>
			<![CDATA[<p><a href="http://www.avclub.com/articles/blue-velvet,65199/">www.avclub.com/articles/blue-velvet,65199/</a></p>
<p>Sounds like a good buy, am interested in seeing the 50 minutes of deleted scenes that may have made up the mythic four hour cut.</p>
<p>I also bought his album Crazy Clown Time yesterday. It is pretty much what you would expect.</p>]]>
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		<title>Blue Velvet &amp; David Lynch</title>
		<link>http://www.leftfieldcinema.com/forum/comments.php?DiscussionID=743&amp;Focus=51127#Comment_51127</link>
		<guid isPermaLink="false">http://www.leftfieldcinema.com/forum/comments.php?DiscussionID=743&amp;Focus=51127#Comment_51127</guid>
		<pubDate>Thu, 05 Jul 2012 14:37:59 -0700</pubDate>
		<author>DanceDanceDance</author>
		<description>
			<![CDATA[<p>Watched <strong>Lost Highway</strong> for the first time in a decade tonight, I had forgotten how awful the song choices were in this movie, from the usually astute David Lynch, it has some right rubbish mid-90s metal and emo metal. Marilyn Manson even has a cameo. The film is better than I remember but it still makes little to no sense, however the pervading atmosphere of desperation and seedy sexuality works pretty well. It certainly feels like the first part of an unofficial trilogy, completed by the better films <strong>Mulholland Drive &amp; INLAND EMPIRE.</strong></p>]]>
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